The Archive presents selected bodies of work produced across film, immersive environments, publications, and object-based practice. These projects document the broader research context from which the current Jaguar Portals immersive installation has emerged, providing access to prior works, parallel experiments, and long-form investigations in image, space, and perception.
The Archive is organized by medium and format rather than chronology, allowing visitors to navigate the work as interconnected systems rather than isolated artifacts.
This section gathers experimental films, sculptural video works, and moving-image projects developed through installation-based production, miniature theater environments, and long-form cinematic research. These works extend immersive investigation into time-based form, treating film not as documentation but as an active spatial and perceptual medium.
Projects include feature-length cine-arte films, short works, environmental video pieces, and character-based media experiments.
This section documents spatial installations, live environments, and performance-based works developed across festivals, galleries, and long-term laboratories. These projects emphasize audience movement, architectural staging, and the use of image and object as components of an experiential system.
Here you will find installation-based works, mask-based performances, miniature theaters, and site-specific environments that inform the structural logic of current immersive projects.
This section presents books and printed works produced under Jaguar Moon Press, including multi-volume mythologies, symbolic research, and visual-text hybrids. These publications function as long-form conceptual laboratories, developing the narrative, iconographic, and symbolic frameworks that shape both cinematic and immersive work.
This section collects sculptural, painted, and fabricated works, including masks, puppets, tarot systems, and other material artifacts. These objects operate as physical research tools within larger immersive and cinematic systems, bridging tactile form with image, performance, and narrative experimentation.
